Bio
Alice Di Micele is an Americana/Folk artist, rooted in the natural world, using the earth as her primary source of inspiration, threading its essence into her music. Alice’s connection to nature has created a deep bond with her listeners over the decades, gifting people a safe space to express their emotions and heal in the process. Throughout her career, she has released a staggering 18 albums, including her latest works ‘Reverse the Flow’ (2025), ‘Every Seed We Plant’ (2022) and ‘Interpretations: Vol 1’ (2024) building a dedicated fanbase along the way.
Alice Di Micele weaves a rich tapestry of sounds, from the early days of her folk-inspired songs, through to the sensual influences of jazz and soul, and the energetic pulse of funk and rock. Her kaleidoscopic soundscape is grounded by her warm, magnetic vocals. From rich deep tones to impressive high notes, and gorgeous Joni Mitchell-esque vibrato inflexions, Alice’s vocals stretch over five octaves, giving her voice both power and intimacy.
We are pleased to announce a new group to the Longstaff House.
While they truly enjoy all of those genre descriptors, the band self identifies as “Living Room Folk.” Their superpower is the energy and joy each band mate pulls from playing music together, and those feelings are often transferred to sweet listeners–making them feel cozy, as if they were receiving a concert in their living room. The band is currently in the studio for their sophomore album, Dead Little Thing, that highlights the struggles of 2023 – 2024, which will release in the fall of 2026. The group is based in Redd’s hometown of Knoxville, TN.
A lovely night of exceptional songwriters and performers
Devin Champlin is a songwriter, multi-instrumentalist, luthier and artist from Northwestern Washington. As the frontman/songwriter for Sons Of Rainier (along with bandmates Dean Johnson, Sam Gelband, and Charlie Meyer) he has carved out a unique voice in the contemporary indy-folk americana world. Intimate lyrics filled with optimistic existentialism are unhurriedly sung with a woodgrain baritone over fingerpicked guitar, the occasional elbow fiddle or keyboard. He prefers not to lean too hard into any specific genre, although he’s satisfied with the umbrella term “folk” as the idea of non-commercial music made by people for the people. He’s spent the better part of two decades studying traditional American musical styles, specifically country blues guitar and old time fiddle tunes, learning from old source recordings, elders in the scene, and the festival/camp community. Along with that cultural musical nerdery he has a prolific output of original music. As an artist with a DIY aesthetic, he uses songcraft as a medium to create imagery- along those lines he also produces animations, videos, paintings, drawings, and prints in tandem with his musical output. Keeping the audience (and himself) on their toes, he rarely plays the same thing twice- sometimes it may seem as if the wheels are about to fall off, but the tra
Izaak Opatz’s music has always been about longing, run through with nostalgia for the passed-by and out-of-reach. His first two albums, Mariachi Static and Extra Medium, were propelled by a longing for specific people and places, made relatable by wry humor, thoughtful simile and close observation. More recently, he’s been writing songs thatlong for an alternative reality, for differentpossibilities than the short, doomed menu offeredby tech lords and the kakistocracy failing to regulate them.Songs that push back against the coercive pressure to indulge in small conveniences at the expense of personal privacy, a 20th-century attention span and the steady drip of a monthly subscription. in stays on the tracks and it’s a satisfying roll. His recordings, solo and with Sons Of Rainier have found their way into the permanent library of hobos, widows, fry cooks, and fancy pants alike. In addition to his 2 releases with Sons Of Rainier he has a handful of self-released full length solo albums out, including one all instrumental album recorded on an Amtrak train, and the most recently released Lonesome Splendor In The Circus Tent (2024)
Hot, local, bluegrass band, Bluepoint returns for a visit to Longstaff House.
We’re a five piece Bluegrass Band from beautiful Missoula, MT. We specialize in traditional Bluegrass and Old TIme music, as well as Folk and Americana with a modern twist. Our performances are wildly energetic and heartfelt and just might make you leave your seat to dance, or hold the ones you care about a little tighter. Our repertoire includes everything from classic songs, that everyone can sing to, and originals that stem from those deep places within the human condition that we all know and feel. Give us a listen and catch a live show if you can! We appreciate you!
Sounds to me like another good show.
Jack Barksdale is a Folk/Americana singer/songwriter from Texas. Inspired by folk, rock, and blues legends, Jack started performing original music at the age of nine and has already shared the stage with Wynonna Judd, Ray Wylie Hubbard, Junior Brown, John Fullbright, and Hayes Carll.
Recently Jack signed a record deal with Truly Handmade Records, formed by the estate of Guy Clark. Jack released a full length album under the Truly Handmade label in June of 2025 featuring many notable guest artists.
To date Jack’s music has garnered well over 5 million streams on Spotify.
Jack tours nationally (most recently at SXSW and Willie Nelson’s Luck Reunion) and wows audiences with lyrics wise beyond his years. Jack plays guitar, slide guitar, harmonica, mandolin, piano, and ukulele, but identifies first and foremost as a songwriter. American Songwriter wrote “Jack Barksdale has insights and awareness far beyond people twice his age, and he’s able to put them into songs that touch listeners.”
Stillhouse Junkies is an American roots, bluegrass, and Americana trio formed in 2017 and based in Durango, Colorado. Known for high-energy improvisation and genre-blending original music, the group won the International Bluegrass Music Association (IBMA) Momentum Band of the Year award in 2021
Caroline Davis is a Brooklyn-based saxophonist, composer, and activist, whose work is driven by a desire for connection and a belief in music’s capacity to expand listeners’ ears, minds, and hearts. A 2025 Guggenheim Fellow in Composition, she is the recipient of the DownBeat Critics Poll Alto Saxophone Rising Star Award, as well as fellowships from NYFA, the Jerome Foundation, Chamber Music America, and the Foundation for Contemporary Arts. Her residencies include MacDowell, The Jazz Gallery, Civitella, and the Rockefeller Estate, and she has served as a mentor for New Music USA’s Next Jazz Legacy program.
Trombonist, improviser, composer, and educator Naomi Moon Siegel is committed to creating a positive, transformative music culture beyond conventional genre norms. Her musical vocabulary draws on the richness of a variety of global musical traditions including Black American Music and the sonorities of the natural world. Siegel explores the trombone as a vehicle for sonic expression colored by breath, spit, space, and physicality. Now based in Seattle, Naomi returns to Missoula for this intimate solo appearance in support of Caroline Davis.