Upcoming Shows
| Clive Carroll’s unique tone, versatility, and unmistakeable voice as a composer, have seen him become one of the world’s premier acoustic guitar players and “…arguably the most accomplished fingerstylist in the world today…” (Total Guitar Magazine). Clive made his musical debut at age two as a banjo-strumming cowboy singing nursery rhymes. His parents had a passion for Irish, American country, and old-time music, and it wasn’t long before he was playing in the family band on a homemade banjo. By his early teens, guitar in hand, Clive was traversing the worlds of soul, pop, funk and traditional Irish music, balancing his affinity for Slayer with the etudes of Tárrega. This breadth of musical curiosity was to become one of his strengths; even as a child Clive was as comfortable accompanying a group of folk singers as he was jamming along to Nirvana or performing on banjo and guitar in the orchestral pits for musicals. |
Tours across Europe, North America, Australia, the Middle East, and China, have seen Clive garner praise for his breathtaking, genre-bending live performances. Lauded guitarist Tommy Emmanuel has brought Clive on tour across three continents, and he also appears on Emmanuel’s album “Accomplice One”, flanked on the track listing by the likes of Rodney Crowell and Mark Knopfler. Clive has also toured and collaborated with guitar greats such as John Williams, D’Gary, Vishwa Mohan Bhatt, Xuefei Yang, and Ralph Towner.
In addition to Clive’s four solo albums—“Sixth Sense”, “The Red Guitar” (which Tommy Emmanuel cites as one of his desert island discs), “Life in Colour”, and “The Furthest Tree”—he has written music for television and film. He notably collaborated with John Renbourn to score the film “Driving Lessons”, which features Julie Walters and Rupert Grint of Harry Potter fame.
2023 saw the release of monumental project, “The Abbot – Clive Carroll plays the music of John Renbourn”, a double-album of solo works alongside ensemble interpretations, featuring 21 guest musicians and a medieval ensemble. “The Abbot” was described by Now Spinning Magazine as “…a gateway to a world of intricate, melodic, and beautiful music. It’s akin to having someone paint vibrant tapestries in your living room—a rich, immersive experience”.
A fixture of the American roots scene, Koskinen has earned praise from Rolling Stone Country for his “authentic voice and vivid storytelling,” while No Depression has called him “one of the best songwriters in the Midwest.” His music draws comparisons to artists like John Prine and Steve Earle, yet his sound remains uniquely grounded in the landscapes and working-class stories of the Upper Midwest. Critics frequently point to the emotional honesty and craftsmanship of his writing-songs that feel lived-in, reflective, and deeply human.
On stage, the Erik Koskinen Band brings those songs to life with muscular musicianship and a warm, road-tested chemistry. The result is a performance that moves easily between intimate storytelling and electrified roots rock, creating a show that is both powerful and deeply personal.
Martha Scanlan is a ranch hand and singer-songwriter who is working to show the importance of preserving agricultural life and landscape through her highly original song project, Tongue River Stories. She grew up in the upper Midwest, went to college in Montana then moved back to Tennessee to play old-time music. After playing music at a friend’s wedding on a family ranch in southeast Montana, Martha couldn’t get the place out of her head and ended up moving to the ranch and working there. She still tours the country as a professional folk singer.
I have been hoping for years to get Susan Gibson…..
At a Glance:– Latest release: The Hard Stuff (Fall 2019)
– Six studio albums and one live album released (see Discography)
– Songwriter of CMA Single of the Year for “Wide Open Spaces” released by the Dixie Chicks
– BMI Writer of the Year 1999
– 2009 West Texas Music Hall of Fame: Entertainer of the Year
– Touring nationally since 1999
Susan Gibson knows all about blessings. Roundabout 28 years ago, she wrote herself a wish that grew up and went off on its own to become one of the biggest country songs of all time. Smiling at its success from afar, Gibson went on to happily live her own best life, free to hit the open road with a van full of happy dogs and a heart full of songs to share with attentive audiences across the country — and all the room in the world to “make the big mistakes” that a wide-eyed dreamer kinda gal could ever ask for.
All that said, though, Gibson is not a lives-in-la-la-land kinda dreamer. Blessed as she’s been, the award-winning songwriter also knows all too well that in the real world, sometimes there’s just no avoiding “the hard stuff.” Mind, not the kind she consciously swore off way back on Valentine’s Day, 2010; after nine years of humble sobriety, it’s easy enough, relatively speaking, for her to resist the temptation of a bottle of wine at a friend’s table or politely decline the occasional unasked-for drink sent to the stage by a fan. But positive life choices and willpower alone offer no proof or protection against the kind of knock-you-on-your-butt shots that life itself can serve up on the regular. The best you can do, she’s learned, is take each hit as it comes, get back up again, and try to find your wits and center of gravity before the next wallop lands. Because as sure as hearts break, van transmissions fail, and loved ones (both two- and four-legged) pass on, you can always count on another one coming.
I listened to one song, The Streets of New York, and immediately signed this guy up. https://www.youtube.com/watch?v=o4DbuYO8Wbg
Martin Gilmore is a Colorado-based songwriter and guitarist whose music bridges folk traditions with modern storytelling. He has earned recognition at the Kerrville New Folk Competition, the Rocky Mountain Folks Festival, and the Telluride Troubadour Contest, and was recently nominated for an IBMA Momentum Award for Mentorship. Whether performing on stage or teaching the next generation of musicians, Martin brings a deep love of American roots music to everything he does.
The Flinns are a Texas-based, husband-and-wife duo bringing a modern spark to the classic Americana-country sound. Led by the sharp songwriting of Max Flinn—praised by American Songwriter for a “self-awareness” and storytelling that “makes you sit down to listen”—and Brittney’s rich harmonies and dynamic range, The Flinns have a seamless vocal chemistry that pulls audiences into a world of authentic storytelling and sharp-witted duets.
While much of the industry chases viral moments, The Flinns have built their reputation on the road, prioritizing the raw intimacy of a live performance over digital trends. This commitment to the stage has made them a staple across the U.S., opening for Americana heavyweights including Robert Earl Keen, Radney Foster, and Ryan Bingham. Their momentum is further backed by a partnership with Turtlebox, who supported the release of their standout single, “I’m Still Holding On.”
On stage, the duo takes audiences on a journey through the heart of the genre, blending poignant originals with crowd-favorite homages to iconic pairings like John Prine & Iris DeMent and Johnny Cash & June Carter. It is authentic, Texas-made Americana—a must-see for anyone who believes in the power of a song well-told.
Yahoo, Matt is coming back. This is good, hard-core, country rock.
Matt Axton
Matt Axton is a gifted singer/songwriter. Granted, that’s a claim made by many artists that inhabit the world of Americana these days, but in Matt’s case, it’s more than a mere boast. The ability to make music is firmly infused in his genes, courtesy of a family history that implanted that ability in him early on.
While he modestly describes his sound as a “humble slice of Americana,” it’s clear that it possesses so much more. With a style that encompasses country, folk, roots, rock, R&B, and pure pop proficiency, he defies easy categorization. With a rich reservoir of original tunes — over 300 in fact — and three well received albums (Blue Sky Rain, Matthew C. Axton and Badmoon), he’s established himself as a prolific and proficient singer, songwriter and guitarist, both on his own and at the helm of his various ensembles.
Even a small sampling of his musical output proves the point. His “Blue Sky Rain” is both stirring and seductive, an easy amble that belies its description of the topsy turvy travails that accompany the entanglements of relationships. “Born of Chains” is flush with steadfast determination, a rugged, relentless bluesy-rocker that conveys clear conviction and a desire to overcome whatever obstacles are tossed in his way. On the other hand, “Everything” is an homage to romance, desire and faithfulness shared with some upbeat bluegrass banter. Here again, Matt demonstrates his remarkable fluidity and a decidedly affable attitude.
Notably, he also keeps good company. Matt has recorded original material with Steve Ferrone (drummer for Tom Petty & the Heartbreakers) and Hal Cragin (bassist for Iggy Pop), and shared sessions at the legendary East West Studios in Hollywood where Tom Petty recorded much of his work. The songs include: “Last Search”, a Southern rock-style anthem; “Born of Chains,” which shares a sparse and dark singer/songwriter vibe; the Americana style “What a Day”; the soulful strains of “Soul to Sell” and “The Big South”, a blues groove reminiscent ZZ Top.
He has collaborated on projects such as “Abbey Road Reimaged – A Tribute to the Beatles” where Aaron Badgley of Spill Magazine called Axton’s cover of ‘Octopus’ Garden’ “pure genius.”
Axton tours nationally playing large festivals and iconic institutions as well as opening up for acts like Midland, Paul Cauthen, Jim Lauderdale, and Nikki Lane. The verve and versatility underscore the fact that Matt is a master of many motifs.
“Matt’s powerful songwriting and vocals, along with his natural rapport with the audience, was the highlight of the 4th of July celebration where we hired him to play for the 3,500 people at Donner Lake,” said Ben Martin, executive director of the Tahoe Truckee School of Music and Tahoe Music Professionals booking service.
Harmony singing is so key to roots-folk music and Two Crows have nailed that perfectly. What differentiates them within their genre are uniquely arranged original songs that allow their voices to blend and bend around the stories within their often-poignant lyrics. This is acoustic folk music at its best. Cory’s light-hearted, funny, between-song banter made the show even better. A few people in the audience drove more than a hundred miles to come see this duo. Not one of them regretted it.
Saint of Soldiers is a five-piece Americana band from Northwest Montana, forging a sound that is at once driving, haunting, and angelic. Named after St. Ignatius in the Mission Valley—home to the group’s founding members and named for the patron saint of soldiers—the band draws on their roots in rural Montana to bridge the past into the present. Through their relatable, poetic storytelling and by recording songs in historic locations, they connect a modern perspective with the lives and experiences of those who came before. Their music draws from indie folk, rock, Midwest emo, and bluegrass, creating a unique blend that is both reflective and exhilarating.
Their debut singles launched with a series of immersive music videos and live session recordings, each set at historic Montana landmarks including the Philipsburg Opera House Theatre, the Conrad Mansion, and Paradise Elementary School. Every performance invites new audiences to experience these spaces in fresh ways while reflecting on the culture that came before. Their upcoming debut album is also set to showcase unique and historic landmarks across Montana from a fresh perspective, continuing their mission of blending music with the state’s rich cultural heritage.
On stage, Saint of Soldiers has shared bills with touring acts including Hannah Juanita, The Droptines, Luca Stricagnoli, and The Spine Stealers, and served as Logjam’s Official Afterparty for The Brothers Comatose at the Top Hat in Missoula, MT. These performances have cemented their presence in the regional music scene while bridging Montana’s musical past and present. They were also selected as an artist for the 2025 Montana Performing Arts Consortium Showcase, sharing their distinctive sound with audiences across the region.
Beyond performing, the band champions creativity and growth in their community, supporting music education in underserved areas across Montana. In 2025, they scored the Montana PBS documentary Journey to the Sun, chronicling Glacier National Park’s Going-to-the-Sun Road, and earned sponsorships with Rattlesnake Cables and Ear Trumpet Labs Microphones. Saint of Soldiers is more than a band—they are storytellers, collaborators, and ambassadors for the state, inviting audiences to experience its history and spiri
Aberdeenshire folksinger, Iona Fyfe, has become one of Scotland’s finest young ballad singers, rooted deeply in the singing traditions of the North East of Scotland. Winner of Scots Singer of the Year at the MG ALBA Scots Trad Music Awards 2023 and 2018, and Musician of the year 2021, Iona has been described as “one of the best Scotland has to offer.” (Global-Music.de) Iona has toured throughout the UK, Europe,, Canada and Australia, and performed with the BBC Scottish Symphony Orchestra as part of the World Premiere of Disney Pixar’s Brave in Concert at Glasgow Royal Concert Hall. Iona’s debut album “Away From My Window” was held to critical acclaim and received nationwide airplay on programmes such as BBC Radio 2 The Folk Show with Mark Radcliffe, BBC Radio Scotland’s Travelling Folk, Take The Floor and BBC Radio Nan Gaidheal, and premiered at a sold-out Celtic Connections performance. Released in 2019, her follow up CD “Dark Turn of Mind” is Iona’s first EP entirely in English and features six ballads and songs found in both Appalachia and Aberdeenshire and has been described as “a new interpretation to the country genre” – Maverick. ” Rolling Stone, France, called her a “Scottish folksinger, magical and charismatic.” She was nominated for “One to Watch” and “Best Live Performance” at the Sunday Herald Scottish Culture Awards 2018.
Leah will be doing a cowboy poet workshop and concert. Her bio and a link to the workshop are below.
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Leah Grams Johnson is an artist and songwriter, hailing from the rugged coast of Northern California. With a distinct timbre akin to the untamable spirit of the American West, Leah’s authentic take on Folk and Country music has resonated with fans of all musical backgrounds nationwide. Raised on the voices of strong impassioned women like Emmylou Harris and Joni Mitchell, Leah discovered early on her path the magic of music and power of a well-written song. She is an alumna of both the Berklee College of Music and the Helene Wurlitzer Foundation, and has been a finalist in numerous songwriting contests including the Telluride Bluegrass Festival and the Rocky Mountain Folks Festival. With the release of her debut record in the spring of 2026, Leah divides her time writing songs in Nashville— where she has resided for over a decade— and riding horses in the West.
Like those who came before her she so deeply admires, Leah is a woman of heart and mind. She is her own breed of cowgirl mystic, living on gut feelings, with an unshakeable love for the world.
Shadow Basket is a four-piece dog rock/indie folk band from San Juan Island, WA. The band is co-led by Jacey LaManna (vocals, guitar) and Kyle Lutz (vocals, guitar), whose harmonies and songwriting shape the heart of the project. They are joined by the steady rhythms of Andrew Cullinane (bass) and Brendan Casey (drums), who together weave a rich and dynamic soundscape that sets Shadow Basket apart.
Rooted in lyrical storytelling, Shadow Basket blends elements of folk Americana with driving, emotionally-charged rock. Their sound drifts between the ethereal and the grounded, at times light and whimsical, and at others, powerful and intense. This diversity in musicality is captured through what the band affectionately calls their genre: Dog Rock. It’s a sound that, much like a dog following its nose through the neighborhood, meanders and explores with a sense of freedom and spontaneity.
Their debut album Frog Swan Song—released in August 2025—encapsulates this unique approach, balancing delicate, atmospheric moments with heavier, more heartfelt tracks. The album’s contrasting soundscapes showcase the band’s versatility, where songs can shift from hauntingly sparse to expansive and raucous, all while maintaining a cohesive energy. Whether it’s the warmth of their folk roots or the urgency of their rock-driven anthems, Shadow Basket’s music invites listeners into a world that holds both the light and the dark.
Anna Tivel is an American indie folk artist from Portland, Oregon who is critically recognized as “one of the finest songwriters of her generation.” She is noted for being a “masterful storyteller” with her music often compared to that of Big Thief’s Adrianne Lenker, as well as Elliott Smith and Paul Simon
You know them and love them and they are back at Longstaff House this summer. I recently had the pleasure of accompanying them at MT Fiddle Camp and got a chance to play many of the cuts from the new progect and it is a dandy. Sure, the cowboy theme is present, but there is ssooo much more to this record, Including a good dose of Joanne’s beautiful singing . Don’t miss this MT icon.
Bio
Alice Di Micele is an Americana/Folk artist, rooted in the natural world, using the earth as her primary source of inspiration, threading its essence into her music. Alice’s connection to nature has created a deep bond with her listeners over the decades, gifting people a safe space to express their emotions and heal in the process. Throughout her career, she has released a staggering 18 albums, including her latest works ‘Reverse the Flow’ (2025), ‘Every Seed We Plant’ (2022) and ‘Interpretations: Vol 1’ (2024) building a dedicated fanbase along the way.
Alice Di Micele weaves a rich tapestry of sounds, from the early days of her folk-inspired songs, through to the sensual influences of jazz and soul, and the energetic pulse of funk and rock. Her kaleidoscopic soundscape is grounded by her warm, magnetic vocals. From rich deep tones to impressive high notes, and gorgeous Joni Mitchell-esque vibrato inflexions, Alice’s vocals stretch over five octaves, giving her voice both power and intimacy.